{"id":1249,"date":"2021-01-30T11:19:00","date_gmt":"2021-01-30T09:19:00","guid":{"rendered":"http:\/\/isc.lviv.ua\/en\/?p=1249"},"modified":"2021-06-03T12:24:01","modified_gmt":"2021-06-03T09:24:01","slug":"mofu-results","status":"publish","type":"post","link":"https:\/\/isc.lviv.ua\/en\/mofu-results\/","title":{"rendered":"MODERNISM FOR THE FUTURE 360\/365: THE OPEN CALL RESULTS!"},"content":{"rendered":"\n

Modernism for the Future 365\/360: selection of the artists who will interpret the modernist architecture is announced!<\/strong><\/p>\n\n\n\n

After winning \u00abCreative Europe\u00bb funding in May<\/a>, \u00abKaunas 2022\u00bb project \u00abModernism for the Future 365\/360\u00bb gains momentum: the received submissions were carefully evaluated and the commission selected artists to participate at local and international residencies. Artists of various disciplines will interpret modernist architecture in 8 local and 7 international residencies, located in these cities: Kaunas (Lithuania), Lviv (Ukraine), Kotrtijk (Belgium) and Brno (Czech Republic). So, here we go!<\/strong><\/p>\n\n\n\n

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Participants of the local residences:<\/strong>
Kaunas\u2014 Martynas Timinskas, Patris \u017didelevi\u010dius, Hugo Herrera Tobon
Lviv \u2014 Olha Kuzyura<\/strong>
Brno \u2014 Josef \u0158eh\u00e1k, Karol\u00edna Strnadov\u00e1, Michal Tr\u00e1vn\u00ed\u010dek
Kortrijk\u2014 Ingel Vaikla, Jonas Vansteenkiste<\/p>\n\n\n\n

Participants of the international residences:<\/strong>
Kaunas \u2014 Karin P\u00edsa\u0159\u00edkov\u00e1 (Czech Republic), Malgorzata Olchowska (Belgium)
Lviv \u2014 Marius Pinigis (Lithuania)<\/strong>
Brno\u2014 Erich Weiss (Belgium), T. Stalyga, R. Kundrotait\u0117 (Lithuania)
Kortrijk \u2014 Andriy Linik (Ukraine)<\/strong>, Andrea Uv\u00e1\u010dikov\u00e1, Zuzana Barto\u0161ov\u00e1 (Czech Republic)<\/p>\n\n\n\n

The project partners from Lviv, Brno and Kortrijk were looking for local artists, offering them to creatively interpret the modernist heritage in their own and partner cities. The artists were invited to interpret different objects: not only the buildings that were well known to the public, such as the former Prior department store in Brno, the Officers’ Chamber in Kaunas or the Trade Union Building in Lviv, but also private homes such as Bohuslav Fuchs Villa in Brno or Gaverzicht Waregem villa in Kortrijk or Lviv Gallet’s Building.<\/p>\n\n\n\n

Numerous strong applications were received where artists shared their visions of how they would interpret the heritage of modernist architecture in their own or partner countries: the artists carefully studied the modernist buildings offered for interpretation, analyzed their authentic layers, and found some conflicting nuances of heritage and modern society.<\/p>\n\n\n\n

Let’s meet Ukrainian artists!<\/strong>
Andrii Linik <\/strong>\u2014 aims to create \u00aba historical, acoustic study\u00bb of the Chapel of the Resurrection of Christ in Kortrijk (Belgium).
Andrii is an artist and curator. Directions, he works in: art&science, deep media art, media archaeology, sound and interactive art. Among his curator projects (individual or in a partnership): The Futurological Congress. The Shy Machines, [De][Re]Construction, Cyber Pills for Mental Health, Transformator. Participated in numerous projects, such as the Sound City Days (Slovakia), Cyberfest (Germany), WRO Media Art Biennale (Poland) and others.<\/p>\n\n\n\n

Olha Kuzyura <\/strong>\u2014 proposes an idea of \u00abhighlighting the dialogue of details\u00bb in the Gallet\u2019s Building (Lviv) with graphics and paper.
The artist works in such mediums as installation, graphics, painting. Among her personal projects: \u00abLost Presence\u00bb, \u00abAmnesia\u00bb, \u00abShadow \/ Body\u00bb, \u00abManmade Body\u00bb, \u00abIncarnation\u00bb. Participated in XII Florence Biennale; group projects in Lviv, Kyiv, Dnipro, Kharkiv, Uzhhorod, Zhovkva, Zagreb, Chicago.<\/p>\n\n\n\n

The foreign guest Marius Pinigis <\/strong>(Kaunas, Lithuania) will interpret Trade Union Building in Lviv through move and body.
Marius is a contemporary dancer, choreographer and a motion researcher. Member of artistic projects in Lithuania and several other countries. Known as a founder of dance company NUEPIKO. Behind his practice \u2014 numerous projects and collaborations, as well as intensives and workshops in various European countries.<\/p>\n\n\n\n

\u00abEvaluating the proposed ideas, the main attention was paid to their conceptuality and diversity of artistic forms. Modernist buildings have been suggested to be interpreted by light, object or sound installations, experimental documentaries, provocations, graphic design projects and other original solutions. We considered the artist’s vision of how to involve researchers, creators and the local community in the co-creation process in order to create a long-lasting result to be a very important criterion,\u00bb \u2014 says Vilt\u0117 Migonyt\u0117-Petrulien\u0117<\/strong>, the curator of Kaunas \u2014 European Capital of Culture 2022 program \u00abModernism for the Future\u00bb.<\/p>\n\n\n\n

The curators of the project hope that even in the conditions of a global pandemic, all the artistic ideas will be implemented. Everything is planned well in advance: the necessary information about the buildings and their history are gathered, contact with the local community and artists is developed.<\/p>\n\n\n\n

The result of the work of these artists creating in 15 residencies, will be seen in 2022 in Kaunas, at the opening events of the European Capital of Culture.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Modernism for the Future 365\/360: selection of the artists who will interpret the modernist architecture is announced! After winning \u00abCreative Europe\u00bb funding in May, \u00abKaunas 2022\u00bb project \u00abModernism for the Future 365\/360\u00bb gains momentum: the received submissions were carefully evaluated and the commission selected artists to participate at local and international residencies. Artists of various […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1249","post","type-post","status-publish","format-standard","hentry","category-news"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/isc.lviv.ua\/en\/wp-json\/wp\/v2\/posts\/1249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/isc.lviv.ua\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/isc.lviv.ua\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/isc.lviv.ua\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/isc.lviv.ua\/en\/wp-json\/wp\/v2\/comments?post=1249"}],"version-history":[{"count":0,"href":"https:\/\/isc.lviv.ua\/en\/wp-json\/wp\/v2\/posts\/1249\/revisions"}],"wp:attachment":[{"href":"https:\/\/isc.lviv.ua\/en\/wp-json\/wp\/v2\/media?parent=1249"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/isc.lviv.ua\/en\/wp-json\/wp\/v2\/categories?post=1249"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/isc.lviv.ua\/en\/wp-json\/wp\/v2\/tags?post=1249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}